Identifying whether the bloodstains curve to the left or the right reveals which hand the attacker used to hold the weapon and the width of the trail of blood can identify what type of weapon was used in the attack. That Vato Loco’s art is going to live forever. Definite blood spatter marks often reveal even more information, particularly if the blood has been thrown from the tip of a weapon. “In that case, I’m honored to share the screen with his work and with him. “That’s the beauty of being an artist, that when you’re gone, your work is going to live on after you,” Borrego says. “We just saw him as my older brother.”īorrego says he will work with the San Antonio art community to build a memorial and foundation in honor of Hernández and his artwork. “We never saw him as this giant that he is,” his brother Armando says.
Hernandez was one of 10 children who moved with their family to San Antonio from Robstown, Texas, in the early 1960s, where they made a living as migrant workers. At the times when both Macbeth and Lady Macbeth feel most guilty, they despair that they will never be able to wash the bloodtheir guilt. Death and killing happen in an instant, but blood remains, and stains. If you’re smart, you have an Adan Hernández, then you have something that’s going to live forever.” Blood is always closely linked to violence, but over the course of Macbeth blood comes to symbolize something else: guilt. “The (Metropolitan Museum of Art) in New York has a couple of his pieces. “When you look beyond the Blood In, Blood Out collection to his work … you see why Cheech Marin has him in his collection, Taylor Hackford has him in his collection,” Borrego told the San Antonio Express-News.
He was a significant figure in San Antonio's #Chicano #art movement. San Antonio) artist behind the paintings used in the beloved 1993 film "Blood In Blood Out" has died.
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